Installation view on Tumblin Island #5, 2022, watercolor on canvas panel, 8 x 10 inches (20.3 x 25.4 cm)
A series of drawings based on The Dictionary of Imaginary Places (1996), this drawing represents a jetty, in the shape of letter ‘F’ turned through ninety degrees, that preforms the function of a key.
Mount Analogue, 2015, orange ink on stardream metalic paper, 8 x 18 inches (20.3 x 25.4 cm)
Fire Island and Paros, 2015, orange ink on stardream metalic paper, 8 x 18 inches (20.3 x 25.4 cm)
View from Vancouver Island #1, 2010, non-reproductive blue pigment on paper, 21 x 28 inches (53.3 x 71.1 cm)
View from Vancouver Island #2, 2010, non-reproductive blue pigment on paper, 21 x 28 inches (53.3 x 71.1 cm)
View from Vancouver Island #3, 2010, non-reproductive blue pigment on paper, 21 x 28 inches (53.3 x 71.1 cm)
View from Vancouver Island #4 2010, non-reproductive blue pigment on paper, 21 x 28 inches (53.3 x 71.1 cm)
View from Vancouver Island #5, 2010, non-reproductive blue pigment on paper, 21 x 28 inches (53.3 x 71.1 cm)
View from Vancouver Island #6, 2010, non-reproductive blue pigment on paper, 21 x 28 inches (53.3 x 71.1 cm)
Installation view, The Cloud Chamber and Related Works, Henry Art Gallery, April 8 - July 6, 2011, University of Washington, Seattle
View from Vancouver Island #1, 2010, non-reproductive blue pigment on paper, 21 x 28 inches (53.3 x 71.1 cm) as set within Marks and Angles, 2011, published by Publication Studios PORTLAND, book design: Jayme Yen, photo: Mike Wilkes